The student has completed HV311 from the academy OR the student has Chhota Khayal in about thirty five Ragas and is able to present at least 20 Ragas with Swar Vistar, Aalap and Taan. The student is able to present 20 Bada Khayals with development. The Bada Khayal includes Ragas Yaman, Bhairav, Bhupali, Bihag, Bageshri, Bhimpalasi, malkauns, Jaijaivanti, Todi and Darbari. The student is able to compose ones own Sargam Geet/Tarana in the Ragas learnt set to various basic Taals.

To practise singing the Raga chalan of Marva
To do Swar Sadhana  in Marva with attention to the Raga roop and Ragas with same Swaras
To sing the Swar Vistar in Marva
To compose and practise singing the Paltas in Marva
To learn the Bada Khayal in Raga Marva
To sing Aalap and Bol Aalap in Marva
To sing the Bol Taan and Taan in Marva
To review the Chhota Khayal in Raga Marva and sing it with Vistar
To sing the Raga chalan of Jog 
To sing the Swar Vistar of Jog, with attention to the Raga characteristics
To learn a Chhota Khayal in Jog and sing it with Vistar
To learn Tarana in Raga Jog with Nom Tom ans Sargam improvisation 
To develop awareness about the contents in ancient texts Dattilam and Brihaddeshi

The student is able to 
Demonstrate the Raga chalan of Marva understanding the salient features which distinguish this Raga from the others
Sing the  Swar Vistar in Pooriya highlighting the Raga Roop
Sing the Paltas in Marva fluently
Present the Bada Khayal in Raga Marva with development in Aalap, Bol Taan and Taan 
Present Raga Marva Chhota Khayal with Aalap and Taan
Sing the  Swar Vistar in Jog highlighting the Raga Roop
Present the Chhota Khayal in Jog with Aalap and Taan
Present the Tarana in Jog with Nom Tom Aalap and Sargam Taan

Batch Size: 1
Duration: 12 weeks, one 45 mins lesson per week

Marva is a Gambhir Raga which paints the picture of the sunset with its contemplative Swaras. The Bada Khayal is sung with a peaceful Aalap Badhat. The Bada Khayal is followed by the Chhota Khayal in Marva. 
Raga Jog Madhya Laya Khayal and a Tarana are learnt in this course. Emphasis is laid on the Gayaki and expressions.
Theory- Review of important musical concepts from Brihaddeshi and Dattilam. Study of Raga characteristics of the Ragas sung.

Hindustani Vocal 312

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Course Format