The student has completed HV310 at the academy OR the student has learnt Chhota Khayal and BadaKhayal with improvisation  in about 20 Ragas with Swar Vistar, Aalap and Taan. The Bada Khayal includes the following Ragas- Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Bhimpalasi

To practise singing the Raga chalan of Kedar paying attention to vocal nuanced involved
To create and sing the Swar Vistar in Kedar
To learn and practise singing the Paltas in Kedar
To learn a Chhota Khayal and a Tarana with Aalap and Taan in Raga Kedar
To review the Chhota Khayal already learnt in Kedar (if any) 
To learn a Bada Khayal in Kedar
To sing Aalap within the Bada Khayal 
To sing different Layakari patterns with the Bol of the Bada Khayal
To sing Sargam and Taan in Bada Khayal
To develop awareness about similar Ragas

The student is able to :
Demonstrate the Raga chalan of Kedar
Sing the  Swar Vistar inKedar highlighting the characteristics elements of this Raga
Sing the Paltas fluently following the Vakra patterns
Present the Chhota Khayal and Tarana in Raga Kedar with development in Aalap and Taan Vistar 
Present the Bada Khayal in perfect Sur , Taal and expression
Present the Bada Khayal Aalap with essential elements of voice culture
Present Bol Taan, Sargam and Taan with the Bada Khayal
Identify related Ragas by listening

12 weeks, one session per week.

The Raga deep dive courses are aimed at internalising Raga concepts by learning and improvising different types of compositions in a Raga. In this Raga Deep dive course the beautiful melodious Raga Kedar is chosen for study. This is a Raga that evokes devotion  with Shuddh Madhyam taking up the central role. The element of playfulness comes in with the gliding movements involving Tivra Madhyam.

Raga Kedar- An In-depth Study HV922